“Wickedness is a myth invented by good people to account for the curious attractiveness of others.” – Oscar Wilde This past decade has seen the mainstreaming of gay; sexual difference wins
“Wickedness is a myth invented by good people to account for the curious attractiveness of others.” – Oscar Wilde
This past decade has seen the mainstreaming of gay; sexual difference wins approval so long as it is palatable, marketable, and doesn’t stray too far from bourgeois notions of taste and morality. Our 2020 theme Wicked re-imagines identity politics, exposing the implications of homonormativity as erasure. The commodification of queer experience is inextricably linked to the pathologization of the queer body, where medical and sociological interventions adjudicate which anatomies and passions are accepted as authentic. What do we lose—who do we lose—if we accept induction into the dominant order, and re-frame ourselves as a “moral minority”?
There’s no place like home for the Wicked Witch of the West, green by devilment and through her magical aberrance. QAF 2020 forsakes the yellow brick road that leads only to a man behind a curtain gentrifying our desires. Instead, for 11 days of visual art, performance, theatre, music, dance and literary events, we invite you to revel in the quintessentially queer traditions of scandal and excess.
Highlights include Jonny Sopotiuk’s visual arts curation; choreographer Noam Gagnon’s raucously vulnerable Swan Song, This Crazy Show; Indigenous Burlesque with Virago Nation’s Too Spirited; and the latest offering from non-binary drag collective The Darlings.
A Roundhouse partnership with Pride in Art Society
Supported by: Government of Canada, Canada Council for the Arts, Province of British Columbia, BC Arts Council, City of Vancouver, Vancouver Foundation
july 16 (Thursday) - 26 (Sunday)